此瓷板画为王大凡的“乐在其中”尺寸:100*60。瓷板画是瓷亦是画,它是陶瓷工艺摆脱纯工艺,融入文人绘画而形成的陶瓷新门类。与纸帛等材质的绘画作品相比,瓷板画具有独特的细腻质感,其平整光洁的形式更显出高雅纯净。王大凡(1888年-1961年),祖籍山西太原,擅长陶瓷人物画,兼写山水、花鸟,他的构思严谨、气势洒脱,能巧妙地把中国画中的“意兴”与陶瓷绘画有机结合起来,画风纯正端庄,20世纪20年代中叶,在景德镇的王琦、王大凡、汪野亭等彩瓷名家发起成立“月圆会”,结社瓷坛,在此基础上,王琦等人结盟为“珠山八友”.“珠山八友”以传统的中国文人画为切入点,以陶瓷为载体,从而形成了比浅绛彩瓷色泽更为丰富的“瓷上文人画”,筑起了中国陶瓷史上的一座丰碑 。
This is king "the most happiness within" size: 100*60. The porcelain is also painted, it is out of pure ceramic technology, ceramic into the new category of literati painting and the formation of. Compared with paper silk materials such as painting, porcelain painting has its unique delicate texture, smooth form more elegant and pure. Wang Dafan (1888 -1961), a native of Shanxi Taiyuan, specializes in ceramic painting and writing, landscapes, flowers and birds, his conception is rigorous, the momentum can clear, cleverly China painting "and" painting and ceramics combine style, pure and dignified, the middle of the 1920s, Wang Qi in Jingdezhen, Wang Dafan, Wang Yeting porcelain etc. who initiated the establishment of "full moon", the porcelain altar, on this basis, Wang Qi et al alliance as the "Zhushan eight" friends. "" eight friends in Zhushan to China traditional literati painting as the starting point, the ceramic carrier, thus forming a colorful porcelain color is more shallow than the rich "porcelain literati painting", built a monument in the history of China ceramics.
この瓷板画王のように「名教の内自ら楽地有り」サイズ:ひゃく*ろくじゅう。瓷板画は磁器は絵も、それは陶芸脱純工芸に溶け込み、文人絵画で形成の陶磁器の新分野。と紙の布などの材質の絵画作品に比べて、瓷板画独特の繊細な質感、その平ら平滑の形式上品な清らかさを見せる。王大凡(1888年- 1961年)、原籍山西太原、得意の陶磁器の人物画、兼ねて山水を書き、花鳥、彼のアイデアは厳格で、勢い洒脱、巧みに中国を絵に描いた「興味」と陶磁器の絵画を組み合わせて、純粋な画風端正、にじゅう世紀にじゅう年代半ば、景徳鎮の王琦、王大凡など、汪野亭赤絵名家発起設立「満月会」は、結社磁器壇、この基礎の上で、王琦ら同盟を「珠山八友」「珠山. 8友」は、伝統的な中国の文人画を切り口に、陶磁器はキャリア形成されるより淺深紅色豊かな赤絵「磁器文人画」を築いた上、中国の陶磁器の史の上の1基の高い石碑。