明代青花双耳花瓶

青花瓷，又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。清康熙时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。此藏品为明代青花双耳花瓶，盘口，长颈，颈肩两侧安兽形耳，鼓腹向下渐收，近足处外撇，浅圈足。通体青花纹饰，颈部绘蕉叶及缠枝花卉，腹部以下绘如意云头、菊花、变形莲瓣等作装饰。纹饰讲求层次，青花呈色平稳，柔和淡雅。

Blue and white porcelains also known as white ground blue and white porcelains often referred to as blue and white is one of the mainstream varieties of Chinese porcelains which belongs to underglaze color porcelains. Blue and white porcelain is made of cobalt ore containing cobalt oxide as raw material. It is painted on the body of the ceramic and covered with a transparent glaze. It is fired at one time by high temperature reduction flame. The cobalt material is blue after firing which has the characteristics of strong dyeing power bright color high firing rate and stable color. Primitive blue-and-white porcelain appeared in Tang and Song Dynasty while mature blue-and-white porcelain appeared in Hutian kiln in Jingdezhen of Yuan Dynasty. Blue and white became the mainstream of porcelain in Ming Dynasty. It reached its peak in Kangxi in the Qing Dynasty. During the Ming and Qing Dynasties derivatives such as blue and white peacock green glaze blue and white bean green glaze blue and white blue and red yellow Di blue and blue and white were also created and burned. This collection is the Ming Dynasty blue and white double ear vase pankou long neck neck and shoulder on both sides of the animal-shaped ears drum belly down gradually near the foot outside shallow circle foot. Blue and white decoration banana leaves and twisted flowers in the neck clouds chrysanthemums and deformed lotus petals under the abdomen as decorations. The decoration layers blue and white color is smooth gentle and elegant.

サバの磁器、また白のサバの磁器を称して、常に青と白を略称して、中国の磁器の主流の品種の1つで、釉下の彩磁に属します。サバセラは、コバルトを含むコバルト鉱山を原料とし、陶磁器の白地体に紋様を描き、透明な釉薬をカバーし、高温の還元炎を通して一度焼きます。コバルトが焼かれた後は青色になり、着色力が強く、髪色が鮮やかで、焼き成率が高く、色が安定して安定しているのが特徴です。オリジナルのサバの磁器は唐宋からすでに見たことがあって、熟したサバの磁器は元代の景徳鎮の湖畑の窯で現れます。明代と青は磁器の主流になります。清康熙の時は頂上まで発展した。明清の時期には、サバの五彩、孔雀の緑の釉、白の釉、青と白の赤の色、黄地と青と青の青と青の青と白を焼きました。このコレクションは、明代の青と白の両耳の花瓶、ディスク、首、首の肩の両側にある安獣形の耳のために、腹を立てて下を向いて、近足の外に取って、浅い輪があります。通体とサバの飾り、首の絵の葉と枝と枝の花、腹部の下には如意雲、菊、変形蓮の花びらなどが装飾されます。紋様は段階を求めて、青と白は穏やかで、柔らかくて上品です。