清代乾隆时期粉彩小罐

粉彩创于康熙末年，后期将其发挥至优雅极致，其精妙绝伦独步有清一朝。盘形规整，纹饰素雅，只于盘心内绘花蝶图，其胎骨之细、彩料之柔自不待言，而设计之妙更叫人惊叹，设计者之优雅妙思、浪漫情怀顿入心底！粉彩瓷是珐琅彩之外，清宫廷又一创烧的彩瓷。在烧好的胎釉上施含砷物的粉底，涂上颜料后用笔洗开，由于砷的乳蚀作用颜色产生粉化效果。早在清康熙年间，粉彩作为瓷器釉上彩绘艺术已开始了萌芽；到雍正时期，已趋成熟，并形成粉彩装饰的独特风格；乾隆时期粉彩已非常兴盛。粉彩的艺术效果，以秀丽雅致，粉润柔和见长，这与洁白精美的瓷质分不开，它们相互衬托，相映成趣，有机地结合起来。
此藏品为清代乾隆时期粉彩小罐，罐中画面布景疏松有致，瓷绘工匠巧妙地利用粉彩深浅浓淡的变化，釉面细腻光洁、色泽鲜艳、让人如痴如醉。
藏友：延先生       地址：北京
The pastel was created in the last years of Kangxi, and it was brought to its ultimate elegance in the later stage. The plate is regular, the ornamentation is elegant, only in the heart of the heart of the flower map, the fine of the fetal bone, the color of the soft, but the design is more amazing, the designer's elegant thinking, romantic feelings into the bottom of the heart! The pastel porcelain is enamel, besides, the palace of Qing Dynasty is another painted porcelain. The base of the burnt glaze is applied with arsenic. The pigment is painted and washed with a brush. The color of the glaze is produced due to the emulsion effect of arsenic. As early as the Qing Dynasty Kangxi, the pink color painting as the enamel of porcelain had begun to germinate; to the period of Yong Zheng, it became mature and formed a unique style of pink decoration; the pink color of the Qianlong period was very prosperous. The artistic effect of the pink color, with elegant and elegant, soft and soft, can not be separated from the exquisite white porcelain. They are mutually lined up, and they combine together organically.
This collection is a small pink pot in the Qianlong period of the Qing Dynasty. The picture is loose in the tank. The porcelain craftsmen skillfully use the thick and light changes in the pink and light color. The glaze is delicate, bright, bright and intoxicated.
Friend of Tibet: Mr. Yan's address: Beijing
粉彩創は康熙の末、後期を発揮から優雅を極め、その精妙绝伦独歩は清王朝。盤状紋キチンと行い、上品に盤心内绘花蝶図、その胎の骨の細い、彩料の柔はもちろん、デザインの妙をさらに驚かされたが、デザイナーの優雅な、ロマンチックな気持ちに妙思レイトン心！粉赤絵はエナメル彩のほか、清宮廷は創焼きの赤絵。焼きでの胎の釉薬に施ヒ素物のファンデーションを塗り、絵の具の後で笔洗開、ヒ素の乳蝕作用色粉化効果を生む。早く清康熙年間として、粉彩磁器釉薬に彩色上絵の芸術が始まった芽生え；まで雍正時期は、プレミアが成熟し、装飾の独特な風格を形成粉彩；乾隆時期は粉彩が非常に盛んで。粉彩芸術の効果は、秀麗な粉潤柔らか上がって、これと白い美しい磁器と切り離せない、それらは互いに際立たせて、なす、有機的に結びついていて。
このコレクションを清朝の乾隆時期粉彩バケツ、缶の中で画面セット粗しょう緻し、磁器の絵職人を上手に利用粉彩濃淡の濃淡の変化、施釉微妙なあらさ、色合いが鮮やかで、人を魅瞭。
藏友：延さんの住所：北京