海螺云兽纹高古玉壁

战国时期，玉璧质地较佳，多用青玉、白玉。璧的尺寸因用途不一而异。战国玉璧的装饰纹饰丰富繁杂。春秋战国至汉代，玉璧为云纹、谷纹、蒲纹，间或有螭纹。此藏品为海螺云兽纹高古玉壁，出自春秋战国时期，壁体较薄，厚度在1厘米左右。表面分成三区同心圆纹带，内外区琢成一首双身龙纹，中区保留传统谷纹。内外边沿用阴线刻出，剖面呈三角立棱状。在内孔或外缘上镂雕出生动的动物形象。雕刻技法运用粗细阴线结合法，粗线条少，细线条多，且线条有毛口。刀工锋利挺拔，刀痕较深，转角尖锐。谷纹乳突饱满匀称，谷纹是在乳钉纹上加刻阴线而成。在前几年的玉器拍卖市场上，玉器藏家注重收藏年代，明清之前的高古玉器备受青睐。

During the Warring States Period Jade Bi was of better texture and was mostly made of sapphire and white jade. Dimensions vary according to the use. The decorative decoration of Jade Bi in the Warring States Period is rich and complicated. From the Spring and Autumn Period and the Warring States Period to the Han Dynasty the Jade Bi was moire grain and pu sometimes with stings. This collection is a high ancient jade wall with conch cloud and animal pattern. It originated from the Spring and Autumn Period and the Warring States Period. Its wall is thin and its thickness is about 1 centimeter. The surface is divided into three concentric circular ribbons the inner and outer areas are carved into a double dragon pattern while the central area retains the traditional grain pattern. The interior and exterior edges are carved with negative lines and the profile is triangular and prismatic. A vivid animal image is carved on the inner hole or outer edge. The sculpture technique uses the combination of thick and thin shaded lines. There are fewer thick lines more fine lines and hairy lines. The knife worker is sharp and straight with deep cuts and sharp corners. The grain-like papillae are full and symmetrical and the grain-like pattern is formed by carving a negative line on the nail-like pattern. In the past few years jade collectors paid attention to the collection age in the jade auction market and the high ancient jade articles before Ming and Qing dynasties were very popular.

戦国時代、玉の生地は比較的に良くて、多く青玉、白玉を使っています。折角のサイズは用途によって異なります。戦国玉の飾り柄が豊富に飾られています。春秋戦国から漢代まで、玉の折角は雲の紋、谷の紋、蒲紋として、間内にあります。この蔵品はサザエ雲獣紋の高古玉壁で、春秋戦国時代から壁が薄く、厚さは1センチほど。表面は3区の同心の円紋帯に分けて、内外区は1首の両身の竜紋になって、中区は伝統の谷の紋を保留します。内外の国境沿いを陰線で刻んで、断面は三角立稜状を呈している。穴や外縁で生まれた動物のイメージ。彫刻の技法は粗細線の結合法を運用して、太い線は少なくて、細い線は多くて、しかも線には毛の口があります。刀工は鋭く張り、刃の跡が深く、角が鋭い。谷紋は乳突して均整がとれていて、谷の紋は木目にかけて陰線をつけている。数年前の玉器オークション市場では、玉器チベット家が収集時代を重視し、明清以前の高古玉器が人気を集めている。