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乾隆孝粉玉碗 

时间:2017-06-28 10:09:10   作者:乾隆孝粉玉碗 017   来源:www.rongyi.org   阅读:5344   评论:0
内容摘要:乾隆孝粉玉碗017
乾隆孝粉玉碗  此藏品为李先生藏有
乾隆孝粉玉碗是乾隆年间的一种玉碗,底部刻着篆字,上书“乾隆年制”,后有有人误念成“乾隆孝粉”,因名字通俗易解而流传。明清玉器千姿百态,造型各异。清代玉工善于借鉴绘画、雕刻、工艺美术的成就,集阴线、阳线、镂空、俏色等多种传统做工及历代的艺术风格之大成,又吸收了外来艺术影响并加以糅合变通,创造并发展了工艺性、装饰性极强的治玉工艺,有着鲜明的时代特点和较高的艺术造诣。明清时期玉器与社会文化生活的关系日臻密切,炉、薰、瓶、鼎、簋等仿古造型的玉器层出不穷。玉质的茶酒具非常盛行。文人在书斋作画、书写,往往也用玉来做笔洗、水注、笔筒、墨床、镇纸、臂搁等文具,或以玉器装饰陈设。由于玉材的不同,琢玉工具和琢玉技巧的不同,加上审美情趣和风俗习惯的不同,每个时期玉器的造型及主题风格也是千姿百态各具特色。  
乾隆皇帝是我国古代最爱玉的帝王。历史上再没有哪位帝王,象乾隆帝那样,对玉器的认识和研究投入如此大的精力。他爱玉、藏玉、甚至在玉器制作上亲力亲为。他在位期间是清宫收藏古玉最多的时期,据说乾隆皇帝咏玉的诗文就有800首之多。他有17个儿子,除第16子早殇未命名外,其余诸子取名均与玉器有关,皇帝希望以这样的方式让玉之福祉润泽其后代。乾隆皇帝对玉的痴迷,促使“乾隆玉”成为18世纪中国玉的代名词,乾隆玉也成为中国古代玉器发展进程中最耀眼的明珠。乾隆孝粉玉碗乃是乾隆皇帝他母亲当时生病,经过御医治疗研发中药必须配合玉器使用才能达到最佳疗效。为此乾隆皇帝连夜命令工匠赶制出玉碗-玉蝶-玉杯-玉瓶等。后期被后人誉为“乾隆孝粉“乾隆孝粉”玉碗,碗的内外部有花纹,其材质十分精美,用灯光打照,整体十分通透,有玉质光感,一般来说,主要是上等和田白玉,是宫廷御用之物,极少流落民间。另外,“乾隆孝粉”(实际是“乾隆年制”)主要是玉碗,几乎没有其他造型。“乾隆孝粉”因选用上等白玉制成,暗刻花纹,工艺十分复杂,就算在宫廷也是稀有之物






The filial piety is the Qianlong jade powder bowl a jade bowl bottom, engraved with the seal, the book "Qianlong" after some people mistakenly read "Qianlong Xiao powder", and spread the name easy to understand. In the Ming and Qing Dynasties, jade articles were different in all shapes and shapes. The Qing Dynasty jade carving, painting, working at drawing art achievements, in line, line, hollow, pretty color and other traditional workmanship and the artistic style of the great, and the foreign art influence and mix flexibility, the creation and development of the technology, highly decorative jade craft, have the distinctive characteristics and high artistic attainments. The relationship between the Ming and Qing Dynasties jade and the social and cultural life more closely, stove, smoked, bottle, Ding, GUI and other antique jade shapes emerge in an endless stream. Jade tea wine is very popular. In the study the literati painting, writing, often used to make jade wash, water, pen, ink, and other qualities, bed Paperweight stationery, or jade decorative furnishings. Because of the different jade materials, jade carving tools and jade carving skills are different, coupled with different aesthetic tastes and customs, each period of jade modelling and theme style is also different, with different features.
The emperor Qian Long is China's most ancient jade emperor. The history of no Emperor Qianlong, like that, the understanding and study of the jade put so much energy. He love jade, jade, jade and even in making themselves. During his reign, he held the most ancient jade collection in the Qing Dynasty. It was said that there were 800 poems written by Emperor Qian Long about jade. He has 17 sons, in addition to sixteenth unnamed untimely death, the rest were named philosophers and jade emperor, hope in such a way that the welfare of their offspring and jade. Qian Long's obsession with jade made Qian Long jade become synonymous with Chinese jade in the eighteenth Century, and Qian Longyu became the most dazzling pearl in the development of ancient Chinese jade. Qian Long powder is filial piety jade bowl emperor Qian Long after his mother was ill, his treatment of traditional Chinese medicine research and development must be with the use of jade in order to achieve the best effect. The emperor commands craftsmen to rush out overnight jade bowl - Jade Butterfly - Yubei - bottle etc.. The later is known as "the filial piety" Qianlong filial piety powder powder "jade bowl, bowl inside and outside of the pattern, the material is very beautiful, with the light, the whole is very transparent, with jade light perception, generally speaking, is mainly for Hetian jade, is the Queen's palace, very few people living room. In addition, "Qianlong filial piety powder" (actually "Qianlong year system") is mainly a jade bowl, almost no other shapes. "Qianlong filial piety powder" is made of the finest white jade, and the carving pattern is very complicated, even in court

乾隆孝粉玉碗は乾隆年間种玉碗の底に刻まれ、篆書、効果は「乾隆年制」は、後にある人誤念「乾隆孝粉」で知られる名前は誰にもわかりやすい。明清の玉の玉の玉は千姿万態、造型は異なって、造型して。清朝の玉工が参考に絵画、彫刻、工芸美術の成就、集シェード、見つかり、透かし彫り、粋な色などの多種の伝統的な仕事と歴代の芸術スタイルの集大成、吸収の外来芸術影響を混ぜて、創造して発展した技術的、装飾性の強い治玉の工芸、鮮烈な時代の特徴と高い芸術上の造詣。明清の時期の玉器と社会の文化生活の密接関係が深まり、炉、薫、瓶、鼎、簋などアンティーク造型の玉器が絶えない。玉质のお酒の盛ん。文人は書斎作画、書く、往々にしても玉来でし笔洗、水注、ペン、墨のベッド、文鎮、臂搁文房具など、または玉飾りをとりつける。玉材の違うため、玉琢玉琢工具と技巧の違いに加え、審美の情趣と風俗習慣の違いで、それぞれの時期に玉器の造形やテーマスタイルも多彩でそれぞれ特徴がある。
乾隆帝は我が国の古代の最も爱玉の帝王。歴史上いないどちらの帝王、乾隆帝のようなほど、玉器の認識と研究に大きな精力。彼は爱玉玉玉器、チベット、甚だしきに至っては制作上親親を力。彼は在位期間は清宮収蔵古玉最多という時期、乾隆帝詠玉の诗文は800曲。彼の息子がじゅうななじゅうしちり、第じゅうろく子早く若死に命名されていないが、それ以外の名前は玉器に関するモロコとしてこのような方式で希望させうるその子孫の玉の福祉。乾隆帝に玉の執着を保ちながら、「乾隆玉」になっじゅうはち世紀中国玉の代名詞で、乾隆玉も中国の古代の玉器の発展のプロセスの中で最もまばゆい明珠。乾隆孝粉玉碗は乾隆皇帝が彼の母が当時の病気を経て、漢方薬治療研究所協力しなければならない玉器を使って最優秀治療効果に達します。そのため乾隆皇帝連夜命令職人の製作を急ぐ出玉碗-玉蝶-玉杯-玉の瓶など。後半に後代の人と、「乾隆孝粉「乾隆孝粉」玉碗碗の内外部模様があって、その素材とても精巧で、照明の写真、全体が非常に透き通る、玉质光、一般的には、主に上等和田白玉、宮廷御用達の物は、めったに放浪して民間。また、「乾隆孝粉」(実際には「乾隆年制)」は主に玉碗、他のキャラがほとんどない。「乾隆孝粉」を選択して使用する上等で白玉で作られ、暗い時の模様、工芸、非常に複雑なたとえ宮廷でも珍し


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